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Yesterday I dined at the nearby
Sizzler. (I hear this is an international chain now,
so I needn't describe it.) I think the
last time I ate at one was a group-from-work lunch
five years ago - it's rather mediocre. As I walked
in FaaB was playing on the in-house speakers - later
on I heard the "Titanic" song by Celine Dion. She
really bends a lot of younger people out of shape,
I can't say why - I find her rather innocuous (unlike
her peer Tori Amos, whom I find gratingly unpleasant
<1>).
As for the song, I don't mind it - reminds me
of the film, which I thought a splendid entertainment.
My waiter (or however you describe the food-wrangler at
a place where you order & pay first) resembled the John
Turturro character in "The Big Lebowski". I went in
with the intent to order the crab special but instead
got the Fisherman's Platter, a bunch of fried stuff which,
along with the ravioli I had (instead of my usual healthy
salad bar veggies) for lunch, made the day a total
nutritional mistake. I thought I could detect some
slight initial sluggishness because of at the gym this
morning, but I completed my workout anyway. There were
a bunch of Navy guys getting ready in the locker room
as I was leaving, and they'd all been instructed to
add a certain nautical motif to their exercise garb
which made 'em look ridiculous - they each wore one red
sock (port) and one green sock (starboard), like they
were little boats with running lights. Reminded me of my
own similar fashion faux pax a couple weeks back - I have
two pairs of running shoes currently (Asics GT-2020 and Puma
Cell) and somehow I showed up wearing one of each - they're
both essentially white but with very different trim and
styling.
Last night I was listening to a radio interview with Susan
Sontag and she made an astute observation about many
American movies and especially television programs, that
there's something very condescending about them, about how
they're engineered to make the viewer feel superior in that
ironic, sarcastic way that's become so commonplace in our
end-of-the-20th-century culture. She also described her
joy at re-reading books, the awareness that she didn't
get them the first time through - I share this
feeling now: I started Philip K. Dick's The Man In
The High Castle yesterday, and my impression of the
world he creates (of a 1962 America where we'd lost WWII)
is that it's so rich, something I don't recall
from the first time I read it a dozen years ago. For example,
now I understand the references made to pre-war historical
and Bay Area geographical details. Today at lunch I
discovered that it contains a haiku which
mentions temari:
Harusame ni nuretsutsu yane no temari kana.
As the spring rains fall, soaking in them,
on the roof, is a child's rag ball.
<2>
I may not finish the book this time; it peters out
with an ambiguous ending many dislike. However, another
reading of the similar C.M. Kornbluth short story "Two Dooms"
may be necessary, just to recall the differences between
the two tales.
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Celebrity gossip courtesy of today's "Pop Notes" in the "Washington
Post": "Eric Burdon, formerly with the Animals, writes in his
memoirs, House of the Rising Sun, that he's got proof
that Jimi Hendrix committed suicide. An inquest fixed the rocker's
death as an accidental drug OD. But Burdon says he found a poem by
Hendrix's bed indicating otherwise"...the hell was Eric Burdon doing
snooping around Jimi's deathbed? And who was he to withhold this
"suicide note" for almost thirty years?
Brenda Ueland <3>
said that she "...was born in a happier time, before automobiles."
I'd customize this to my own background and sensibilities
as: I grew up in a more pleasant time, before car alarms.
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